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The Thing Summary
An American scientific expedition to Antarctica makes an incredible discovery — an alien spaceship with a mysterious and sinister frozen “thing” found nearby. They decide to drill through the ice encasement, ultimately freeing the trapped organism and triggering a series of horrific incidents and attacks.
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As much as going to the theater should be an enjoyable experience, there’s nothing wrong with checking out a sad piece. However, nobody goes to the movies to just wade around in a character’s problems; you need to experience the person’s emotional range in order to understand and appreciate their hardships. Unfortunately, in Angels Crest’s case, there’s no variation of sentiment in the least, just one long depressing note. Watch Angels Crest Movie 2011 Online
Thomas Dekker is Ethan, a young father of a 3-year-old boy named Nathan (Ameko Eks Mass Carroll). One cold morning, Nathan wakes up early and convinces his dad to hit the road and take him to the snowy mountains of Angels Crest. By the time they get there, Nathan is fast asleep, so Ethan opts to head out alone to sneak a peek at the local wildlife. Only 20 minutes later, Ethan returns to his truck and Nathan is nowhere to be found. The townsfolk come out to help Ethan and the police look for Nathan, but it isn’t until the next morning that Ethan finds his son, frozen to death, buried in the snow.
Not only is Ethan crushed by the loss, feeling guilty for his carelessness and simply missing his son, but he’s also suffering with the pressure of some of his neighbors who outwardly blame him for the accident, most notably, Nathan’s mother, Cindy (Lynn Collins). However, there are those who sympathize with Ethan’s situation like his good friend Jane (Elizabeth McGovern). As for Angie (Mira Sorvino), the woman who runs the local diner, as much as she empathizes with Ethan, as a mother herself, she can’t help but to notice the poor parenting decision. Worst of all, a local District Attorney (Jeremy Piven) plans to go after Ethan and prosecute him for his negligence.
Clearly, this is a tough one to get through, but nearly appropriately so. Director Gaby Dellal knows exactly what she wants to do with this story and goes for it. Everything from the color palette to the shot composition to the camera movements are meticulously planned, used in a very purposeful manner. This is a major asset in particular for a film dealing with such a gloomy subject. The camera, set design and music help to highlight emotions so the cast doesn’t resort to overly dramatic performances. While at first it may be tough to digest the rather young looking Dekker as Nathan’s father, ultimately, Dekker convinces you of it. The opening of the film during which Ethan shows off his daddy skills feels a little contrived, but once they hit the woods and we move into Ethan’s darker days, in Nathan’s absence, Ethan’s fatherly side is brutally strong.
The only one to come close to stealing some of the spotlight from Dekker is Collins. Her character is incredibly multidimensional. One minute you’ll loathe her for drowning her problems in alcohol, but the next, she’ll evoke a glimmer of hope suggesting there’s a chance she might come around. Sorvino also finds success as Angie in a similar manner. Throughout most of the film, Angie is completely on Ethan’s side, feeling terribly about what the prosecutor is putting him through, so when she’s put in the position of having to question Ethan’s responsibility, it makes for one of the film’s most memorable scenes.
While McGovern shares an interesting relationship with her partner (Kate Walsh) and her son, in terms of enhancing Ethan’s story, she’s useless. Had that character been cut entirely, perhaps Piven’s DA would have received some much needed additional attention. We’re told a number of times that he’s got a dark past plagued by an event similar to what’s happening to Ethan and that his desperation to punish Ethan is linked directly to it, but that’s just it; we’re merely told and never believe it. Watch Angels Crest Movie 2011 Online
This is an unfortunate issue that tarnishes a great deal of the film, and not just from Piven’s standpoint. Catherine Trieschmann’s adaptation of Leslie Schwartz’s novel is just poorly structured. If it weren’t for Dellal’s impressively telling imagery and this talented cast, it’d be impossible to be engaged in Angels Crest much at all. Once Nathan’s body is found, the piece loses almost all forward motion. For a good portion of the second act, Ethan is merely standing still. He’s being prosecuted and isn’t doing a thing about it. And, even when he does, his plan of action is a bit nonsensical. Worst of all, by the end, no one’s really changed. There are no arcs and therefore no increasing tension making the film’s conclusion sadly anticlimactic.
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Watch The Reunion 2011 Online
The Cleary brothers, Sam (John Cena), Leo (Ethan Embry) and Douglas (Boyd Holbrook) take dysfunctional families to a new level: Sam and Leo have grown up hating each other and neither likes their juvenile kid brother, Douglas, to whom they’ve only recently been introduced. The three boys share the same father, but all have different mothers. Their father died a rich man and when they’re brought together by their sister Nina (Amy Smart) to learn which one of them will inherit the old man’s fortune, they are handed an unpleasant surprise. A requirement of the will is that the three estranged siblings go into business together as bail bondsmen. Their first job takes them into the mountains of Mexico where they encounter a drug lord and uncover a kidnapping plot, masterminded by an embittered entrepreneur (Michael Rispoli) that will endanger them all.
“Reunion” assembles a fictional pack of Yale alumni in a swanky Manhattan conference room to discuss their lives, loves and careers, and to disabuse one another frankly of their insecurities and ego trips. They were, once upon an undergraduate time, members of a secret society whose “program” entails biographical confession followed by blunt group analysis. Edging up on middle age, they are now more or less rich, neurotic and disillusioned. This scenario — hyperarticulate people shut in a room yapping at one another — suggests a movie adapted from the stage, as do the over-deliberate cadences, rhetorical set pieces and compressed, rather contrived emotional intensity of the drama.
Written and directed by Alan Hruska, himself a Yale graduate (and a playwright) who participated in a similar program, “Reunion” overflows with catharsis — at least for those on screen. This may not be quite the moment to solicit our sympathy for self-absorbed beneficiaries of Ivy League privilege. Sex, success, resentment and regret are on everyone’s mind. The linchpin of the assembly is a trial lawyer and novelist named Jake (Brett Cullen), who moderates the proceedings and whose wife, dead some 10 years, is a source of unspoken tension among the group. The members of the rest of the cast relish their chance to showboat without the usual distractions of a narrative feature.

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Written and directed by Alan Hruska; director of photography, Learan Kahanov; edited by Peter Frank; music by Eric V. Hachikian; produced by Petina Cole, Jonathan Gray and Matt Tauber. At the Quad Cinema, 34 West 13th Street, Greenwich Village. Running time: 1 hour 30 minutes. This film is not rated. WITH: Brett Cullen (Jake), Zoe McLellan (Averil), Derek Cecil (Stanley), Sam Coppola (Max), Alice Evans (Minerva) and Anna Khaja (Anna).
In Reunion, a group of friends from Yale reunite after 20 years to assess the damage. This juicy premise–contrasting present realities with undergrad dreams–has been famously explored in The Big Chill and Return of the Secaucus Seven and in novels galore, pulp and literary. However, despite some comic moments and sassy quips, this current outing about fortyish types who went to college in the ’80s feels leaden, maladroit and inauthentic.
Chief instigator is Jake (Brett Cullen), a successful trial lawyer, who stages the reunion in the conference room of his glitzy law firm. He is honoring the wishes of his wife Janie–the It girl of the group–who died ten years ago and requested the meeting for reasons never made clear, but presumably so Jake can disclose her big secret. Also on hand: Jake’s much-younger girlfriend Averil (Zoe McClellan), who’s got tough competition in the dead wife; a stereotypical Jewish doctor (Josh Pais) and his wife (wonderful stage actress Jessica Hecht, misused here); a mogul (David Thornton) with a private plane and a girlfriend called Minerva (Alice Evans), the name itself fair warning; a semi-recovering alcoholic (Jamey Sheridan) and his wife (Cynthia Stevenson), a disgruntled novelist. Throw in a bold-face journalist and a talent agent, both equally unpleasant, and you’ve got the main players. The only fun guy in this lineup is an aspiring actor working in security at Jake’s posh firm, who hits on the talent agent to advance his career.
Janie has apparently requested that the friends recreate their “program” from their Yale “secret society” (think Skull and Bones). In a cross between confession and group therapy, the members take turns accounting for their lives and assessing one another, sometimes brutally. The weekend encounters ratchet up the intensity, old rivalries and longings, and the pressure mounts for Jake to spill why Janie wanted everyone to meet. But unless I missed something, why is never clarified and the big reveal is a dud. Hruska means to implicate the friends in some way for Janie’s derailment, but fails to make the case, which renders the reunion a voyeuristic exercise. True, there are some telling quips: “You’re just the same guy with a lot of toys” and the weird comment, “You’ll have diapers, school admissions, chemo–all the things that make you feel alive.